Dopapod

Dopapod

TAUK

Tue, December 2, 2014

Doors: 8:00 pm / Show: 9:00 pm

The Broadberry

Richmond, VA

$7 ADV, $10 DOS

Dopapod
Dopapod
The Boston born, now generally Northeast based, but ever on-the-go Dopapod has come a long way from their college basement, DIY party roots. While maintaining to be as grassroots as their humble beginnings, the group has earned praise from taste making critics like The Huffington Post, Jambase, Relix, and The Boston Herald, all the while tending to their ever expanding community of devoted listeners. The past 4 years have individually held the weight of about 150 shows and included numerous festival appearances like Wakarusa, Summer Camp, Electric Forest, Camp Bisco, Peach Fest, & Gathering Of the Vibes. All of this time on stage together has given the band the opportunity to explore the wide variety of influences that has impacted them to be the players they are today. But, don’t be quick to think that the no holds barred openness to experimenting is unguided. While the brush in their hand uses every color, it’s the stroke on the canvas that gives Dopapod a distinct voice in the way of crafty songwriting.

That calculated compositional mindset and restless nature to never sit too still is what has allowed Dopapod to fully realize their fourth studio release, Never Odd Or Even. Guitarist/vocalist Rob Compa giddily tells, “We really felt that the material this time around represented a big leap forward, not just in the way we’ve been interacting as a band, but in the way our focus has become sharper in paying attention to things like melody, theme, lyrical imagery, and structure – all the elements that make a great song.”

Determined to have that maturity translate in the studio, the band enlisted friend and producer Jason “Jocko” Randall to both engineer and produce the record. Keys/vocalist Eli Winderman couldn’t be happier about how things went. “We lived at his studio for about a month for these sessions and it just clicked right away. Jocko immediately became another member of the band in many ways. With his attitude and approach to the recording process, we were able to really dial in the sounds we wanted, get those perfect takes we were aiming for, and have a blast the whole way through.”

Dropping on November 11, in the midst of an extensive Fall Tour, Never Odd Or Even is the spark that the band plans to ignite while in full stride of capping off an exciting year and launching them into the next.
TAUK
TAUK
On their third studio album Sir Nebula, TAUK tap into their singular chemistry to elevate and expand their all-instrumental blend of funk, hip-hop, progressive rock, and jazz. Revealing both their refined musicality and unbridled creativity, the Oyster Bay, New York-bred rock-fusion four-piece (guitarist Matt Jalbert, bassist Charlie Dolan, keyboardist/organist Alric “A.C.” Carter, and drummer Isaac Teel) push into new sonic terrain and build entire worlds within each richly textured soundscape.

From the hazy atmospherics of “Time’s Up” and soaring riffs of “Program Select” to the urgent rhythms of “Shenanigans” and sprawling melodies of “Where You Are,” Sir Nebula finds TAUK introducing a cosmically inspired element to their music. “The album ended up taking on a more ambient kind of vibe than anything we’ve done before—there’s a spaciness in the songs that lets you get lost in the sound,” says Dolan. And while the album is endlessly hypnotic, TAUK also deliver the dynamic tension-and-release jams that have helped earn them a devoted following while drawing critical acclaim (the Washington Post, for one, praised TAUK for “creating a hard-charging, often melodic fusion that—thanks to a penchant for improv—offers limitless possibilities”).

Throughout Sir Nebula—the follow-up to their 2015 live double album HEADROOM—TAUK allow a more free-form, instinct-guided approach to steer their music into bold new directions. “With this record, we felt more comfortable in the studio and got to a new level where we were able to constantly feed off each other, so there was a lot of spur-of-the-moment improvisation that really helped shape the album,” says Jalbert. Adds Carter: “We made a point of trying to express ourselves freely and take risks even when that felt challenging and scary, instead of holding ourselves back and possibly taking something away from the songs.” At the same time, TAUK sharpened their songwriting to craft more intricately layered arrangements and powerfully intense grooves.

As with their past four releases, TAUK created Sir Nebula in collaboration with Grammy Award-winning producer/mixer/engineer Robert Carranza (The Mars Volta, Ozomatli, Jack Johnson, Taj Mahal). But in a departure from their previous work, the band made the album in one concentrated period rather than spacing the recording sessions out in between tours. Holing up at the Solar Powered Plastic Plant in Los Angeles, often pulling 12-hour workdays, TAUK ultimately found the revamped recording process hugely beneficial. “Everything just happened so naturally this time around,” says Jalbert. “I can’t think of one moment where it felt like anything was forced. We were all just completely focused and in the same mindset, which made it this incredibly fun and smooth experience.”

TAUK’s creative connection traces back to childhood, when longtime friends Dolan, Jalbert, and Carter formed their first band in seventh grade and held practice in their school basement. After playing together in various projects over the years, the trio brought Teel into the fold in 2012, cementing the final lineup. “We gelled pretty quickly as friends and as musicians, and now there’s a connection onstage that’s unspoken,” notes Teel. “You just feel it from the energy within the band and from the response coming from the crowd—all these people in the same exact headspace.”

Since their formation, TAUK have shared stages with an impressive list of bands (including Widespread Panic, Umphrey’s McGee, Lettuce, and Tim Reynolds & TR3), in addition to appearing at festivals like Electric Forest, Bonnaroo, and The Allman Brothers’ Peach Music Festival. That rigorous touring schedule has gone a long way in strengthening their chemistry, according to Carter. “We’re doing 140 shows a year and we pretty much live with each other, so there’s a healthy respect and trust and love happening there,” he says. “We all have a common goal and an understanding that this is something we’re compelled to do, and that’s definitely brought us close together.” It’s also helped TAUK develop a reputation as a masterful live act: “TAUK is unstoppable,” raved Live for Live Music. “If you haven’t see them, dear God, go.”

Now on the road again (with upcoming dates including a two-night stint at the Brooklyn Bowl and spots on the Hangtown Music Festival, North Coast Music Festival, and Catskill Chill Music Festival), TAUK also have plans to widen their output by composing scores for film and television. In the meantime, the band is focused on instilling their live show with the same kinetic energy and boundless passion that powered the making of Sir Nebula. “Growing up together as musicians and collectively going on this journey—that’s what makes this experience really special,” says Jalbert of TAUK’s continued evolution. “It’s like everything we’ve learned over the years has been funneled into this band, and now it’s taking shape in a really exciting way. We all love what we’re doing, and the band just feels like home.”
Venue Information:
The Broadberry
2729 W. Broad Street
Richmond, VA, 23220
http://www.thebroadberry.com